Category Archives: Performances

The walk I did not walk.

Today I walked in the field.
After every ten steps I turned around and took a picture.
When I returned to my studio, I reversed the order of the pictures. Continue reading

Please don’t touch! I’ll come and fix it as soon as possible
MÊKH-WEB
Quartair Contemporary Art Initiatives
Toussaintkade 55, Den Haag (NL)
20 September-11 October, 2019 Continue reading

Synchronize (2005/2019)
Hof (start), Dordrecht, Netherlands
1 September, 2019 ~

The work Synchronize consists of a walking route and an mp3 file.
While walking the route you need to wear headphones or earphones to listen to the mp3. Follow the walk as carried out earlier, and synchronize with the sound of the walking feet.
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Pain location (exercise)
Momon, July 2019

Thirty days in a row I walk the same route through the village.
Every time I approach one specific location, I try to imagine a headache.
After passing that location, the headache should fade away. Continue reading

Blend
Hautefort, France
Saturday, July 20, 2019
14:00 – 17:30,

I called you. We did not speak.
Our telephones were connected for 60 seconds, the loudspeakers on full volume.
The sounds of our surroundings  blended together, somewhere between us.

Witold Van Ratingen, Tuulikki Raatikainen, Antoinette Reuten, Trudy Kunkeler, Almudena Millán, Greig Burgoyne, Han Hoogerbrugge, Theun Okkerse, Susana Mendes Silva, Ove Lucas, Johanna Van Overmeir, Axel Themmen, Jello Reumer, Eduarda Estrella, Paz Ezcurra, Andrew McNiven, Manuela Porceddu, Per Bos, Saskia Meesters, Henrik Vestergaard, Peter Van Lent, Lisa Skuret, Bruno Leitão, Jan Barel, Steef Van Lent, Ienke Kastelein, Maarten Janssen, Geerten Ten Bosch, Nico Parlevliet, Jan Zobel, Jan Okkerse, Jany Twigt, Pepe Romero, Petra Laaper, Anja De Jong.

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Mnemonics
Hangar, center for artistic research
Rua Damasceno Monteiro, Lisbon (P)
June 28, 2019
 

The project Mnemonics started with a suggestion of curator Filipa Oliveira to the artists to meet each other, since their activities and points of view seemed to have many overlaps.

After a first meeting, they decided to work together and the cooperation started with an exercise:
Two car journeys on two consecutive days. The two events had to be as much alike as possible. They had to take place at the same time, on the same route and with the same conversations as accurately as possible.

This exercise led them to the subject of the construction and deconstruction of personal memory. How can memories lead to a journey and how can a journey lead to memories?
The human mind as a fluidly changing field of encounters.

The performative presentation of the project took place at Hangar on June 28, 2019


photo © Mnemonics

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A Scene #18 – #1

On this website and on Facebook I announce small events that will take place at a certain location and at a certain moment in the near future.
Everybody is invited to be at the exact spot at the exact time to contribute to the scene with his/her own simultaneous activity (or inactivity).

A Scene #18
On Thursday October 24, 2019 at 10:00 (CEST) I will be standing on the jetty at Fondamenta de le Zattere ai Gesuati, Venice, Italy (N45.42914814482034  W12.326794266700745), waiting for the first boat to bring me to the other side of the water: Giudecca Palanca (N45.42678386442304 W12.325501441955568). While waiting I will be facing the jetty at the opposite side.
Once on the boat I will stand at starboard and I will look out over the waters in north-western direction.
When the boat moored at Giudecca Palanca I will leave the boat but I will stay on the jetty, waiting for the first boat to bring me back to Zattere. While waiting I will be facing the jetty at the opposite side.
Back on the boat I will stand at starboard, looking out over the waters in south-eastern direction.
At Zattere I will leave the boat and walk away.

A Scene #17: A Walking Lunch
On Saturday Juni 15, 2019 at 14:00 (WEST) I left my studio at Rua Damasceno de Monteiro (N 38 43 5.8 W 9 7 55.5) for a walking lunch towards Cais do Sodré (N 38 42 20.16 W 9 8 36.958).
I started with a glass of Moscatel do Douro, then, walking through the Jardim da Cerca da Graça, I had an Oeuf Mayonnaise. Going down the streets towards the river, I had a mixed salat with tomatoes, bacon, walnuts and grapes, a slice of bread and a glass of red Douro wine. As a desert I ate Flan de Ovo. When I finally approached Cais do Sodré I finished the lunch with a double espresso with sugar.
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Palimpsest
(with Elia Torrecilla)
Centro del Carme Cultura Contemporania, Valencia (E)
May 25, 2019

The Centre del Carme consists of two architectural constructions from very different eras. It concerns a Gothic passage and garden and a Renaissance passage and garden, connected by a single transfer room. In this performance, Elia Torrecilla and Frans van Lent looked for the numerical relationship between themselves as moving individuals and the architectural construction.
Within the passage in the Gothic part, the walk was guided by a series of loudly spoken numbers with the fixed proportions of the Golden Ratio. It was set up by a predefined formula and realized according to its logical consequences.
Within the Renaissance monastery the walk was improvised on the basis of simple geometric compositions, with the architectural structure as the leading framework. In this part the audience was asked to participate, resulting in a spacial cacophony of loudly spoken numbers.

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Hortus Botanicus
the feet are tied to the ground, thoughts travel freely

   

On Tuesday, May 21, from 12:00 noon to 12:15 PM, I stood motionless and silent
in a field in the Jardim Botânico (N 38° 43′ 4.8” W 9° 8′ 52.9”) in Lisbon.
I faced North, my eyes closed.

At the same time Daniel Pinheiro stood motionless and silent
in a field in the Jardim Botânico (N 41° 9′ 6.905″ W 8° 38′ 36.193″) in Porto,
facing South, his eyes closed.