Category Archives: Performances

Short-term memory
February 16, 2019

This morning we drove out to the fields.
We stepped out of the car and started to walk.
My camera was charged, and in it was an empty memory card.
During the walk I took photos of the scenery we walked through.
We walked for about an hour, then we sat down.

After a few minutes we walked back on the same route.
At every spot where I had earlier made a photo,
I now deleted that specific photo.
When we arrived at the car park, the card was empty again.
We drove away.

A Scene #14 – #1

On this website and on Facebook I announce small events that will take place at a certain location and at a certain moment in the near future.
Everybody is invited to be at the exact spot at the exact time to contribute to the scene with his/her own simultaneous activity (or inactivity).

A Scene #14: Over and Under
On Saturday December 15, 2018 at 14:20 CET I waited for a tram in southern direction, at tram stop Leuvehaven (51°54’55.625″N, 4°28’56.857″E), Rotterdam. I stepped into the first arriving tram. The tram crossed the river Maas over the Erasmus bridge. I got off the tram at the first stop on the other side of the river: Wilhelminaplein (51°54’26.72″N, 4°29’34.756″E).
I then entered the Metro station and waited at the platform for a metro train in Northern direction. I took the first arriving train, and crossed the river Maas through the tunnel. I left the train at the first stop: Leuvehaven.
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A Performative Walk #5
performance project
27 November, 2018
Dordrecht, Netherlands

A performative walk as the base, as the method and as the outcome of a process of leading and following. Continue reading →

A Dinner with Guillaume
23 November, 2018
Morni Hills Performance Art Biennale II
Healing Hill Art Space
Morni Hills (Badisher), Haryana, India.

I was invited to create a work for the curatorial program When Words Become Situations
In the framework of the Morni Hills Performance Art Biennale II. 
I invited the responsible curator Guillaume Dufour Morin to join me for dinner.
I asked him to choose the menu and then I prepared the same dishes.

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Record

In my hands I hold two camcorders.
I set both cameras to record. I hand one camera to a person (A). I ask him to film me, while following me.
I walk to a second person (B), hand him the second camera and again ask him to film me, while following me.
I turn to person A, ask the camera back and then hand it to another person (C) while giving her the same instruction. I walk to person B, ask back the camera and hand it to another person (D) while giving him the same instruction.
This process of swapping, walking and filming goes on for about 15 minutes.

I then take both cameras and set them to playback.
I position the cameras on a table, next to each other.

P/PROPS
Nucleo, Ghent (B)
The object doesn’t exist
August 25 – 26, 2018

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Two Walks in the Same Direction

On Wednesday, August 22, 2018, at 2 pm (CEST), Elia Torrecilla and Frans van Lent started walking in north-westerly direction. Elia Torrecilla walked in the area of Altea, Spain (38°36’19.7″N 0°02’28.3″W) and Frans van Lent walked in the area of the Biesbosch, the Netherlands (51°48’34.8″N 4°46’38.0″E). Alternately they sent each other photos of their locations and by doing so they turned these two separate walks into one common experience.

The walks lasted about 1 hour and 24 photos were sent.
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 The places where we are (or would like to be)
July 24, 2018

For this work I proposed to colleagues and friends that we held a (private) telephone conversation about The places where we were (or would like to be). We arranged for each call to take place on specific time slots on July 24th.  During a daylong walk in the Perigord, I called each of the participants at the agreed time and we talked a few minutes about the places where we were at that moment. During this conversation we sent each other photos of our surroundings (WhatsApp), creating an instant mix of both visual worlds.

Participants were:
Janet Meaney (at a guesthouse, Adelaide, Australia)
Lucien den Arend (in a hammock, Kangasniemi, Finland)
Maureen Bachaus (at the Airport in Köln, Germany)
Ienke Kastelein (in a garden, Roden, Groningen, Netherlands)
Steef van Lent (at the waterside, Rummelsburg, Berlin, Germany)
Witold van Ratingen (in a street, Utrecht, Netherlands)
Elia Torrecilla (near the village of Puebla de Sanabria, Zamora, Spain)
Daniel Pinheiro (at his home, Porto, Portugal)
Nico Parlevliet (in a hotel, Flores, Indonesia)
Andrew McNiven (at the seaside near Dunbar, Scotland, UK)
Kees Koomen (in a hospice, Cloitre St. Paul, St. Rémy de Provence, France)
Jacqui Orly (in her kitchen, Hayle, Cornwall, UK)
Joyce Overheul (in her apartment, Nieuwegein, Netherlands)
Sarah Boulton (in the streets of Glasbury, Wales, UK)
Juan Pablo Plazas Sáenz (in the streets of Sint Gilles, Brussels, Belgium)
Sophie Hadjipapa (at a carpark, Plati, Nicosia, Cyprus)
Maya Felixbrodt (in the street, Vienna, Austria)
Zoe Balasch (in the streets of Barcelona, Catalonia, Spain)
Johanna van Overmeir (near the Schelde, Antwerp, Belgium)
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over the sea

two men walking and discussing authenticity, islands and the other side

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The Swap
Installation

Pictura, Dordrecht (NL)
April 8-May 14, 2017

The Swap was an installation based on the measurements and layout of the exhibition rooms of Pictura. This work was realised by plotting the rooms’ floor plans in identical sizes and compass points in natural reserve De Biesbosch.
A series of photographs was taken inside the projected floor plans and life-size prints were placed in the corresponding rooms in Pictura. This provided a tangible and physical connection between the Pictura rooms and the site in De Biesbosch.

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