Category Archives: Performances


I invited twenty artists to make a ten minutes long audio recording of Silence.
Each one of them decided where, how and in what conditions they wanted to do this.
I superimposed all submitted recordings as layers into one combined file.
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This day, May 2, 2020, the first day after a 40-day Corona-quarantine, residents of Spain will be allowed to go out for sporting or hiking on fixed time slots. This is only permitted within a radius of one km from home.
The Spanish government opened a website ( where residents can find exactly what this means concerning their own situation.
On this website I discovered where a comparable circle would reach, starting from my home in the Netherlands, in case our government applied the same rules.
Elia Torrecilla and I agreed to take a parallel walk. Continue reading

Call lll

Some time ago I published an open invitation to call me on Friday, May 1, between 1 PM and 2 PM (CEST).
That first day in May I walked in a rural area in the southwest of the Netherlands.
When the phone rang I did not answer the call. Instead I took a picture of what I was looking at on that moment.
I then sent that picture to the number that appeared on my phone. I sent 48 photos.

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Two 30 minute digital audio recordings of the North Sea,
made simultaneously (16:00 UTC, 23.04.2020)
on the East coast of Scotland, (56° N.);
and on the West coast of the Netherlands (52° N.).
Synchronised and mixed together into one stereo file.

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A Chair as Any Other
performed at the
February 22, 2020
DfbrL8r, ARC Gallery,
Chicago, IL

For nine years the red folding chair was a defining object in the DfbrL8r-archives.
In those years the chair was used in at least five performances of different artists.
I decided to find it a new home, to take it away from the spotlights
and to bring it to a place where it could lose its artistic background
and become the mundane object it was meant to be.

In the performance I read a text explaining the process and results.

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At the start of the performance, the attendees are asked not to take any photos or videos.

A square of 200 cm by 200 cm is plotted on the wall with masking tape. The enclosed space is then painted with the same whitewash the walls were previously painted with. When the painting is finished, the masking tape is removed and the floor is cleaned of any spilled paint.
It is still possible to distinguish the square, but as the paint dries, the square will fade and merge with its surroundings.
The attendees leave when all traces have disappeared.

Two sides of a door

On either side of a closed door, two people hold the handle. They do not move the handle, just hold.
After a certain time one of the two pushes down the handle and opens the door.
The second steps aside and makes way.
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Pain location (exercise)
Momon, July 2019

Thirty days in a row I walk the same route through the village.
Every time I approach one specific location, I try to imagine a headache.
After passing that location, the headache should fade away. Continue reading

A Scene #23 – #1

On this website and on Facebook I announce small events that will take place at a certain location and at a certain moment in the near future.
Everybody is invited to be at the exact spot at the exact time to contribute to the scene with his/her own simultaneous activity (or inactivity).

A Scene #23: Acceleration
Acceleration is the rate of change of the velocity of an object with respect to time.
Saturday June 27.
I was standing at Hofplein, Rotterdam (5155.4866 N, 00428.6858 E), facing Coolsingel.
At 2:00 (CEST) 
I walked in the direction of Beurs metro station, where I earlier parked my bicycle. I took my bike and cycled on in the same direction, Schiedamse Dijk. I passed Erasmus bridge, Wilhelmina square and stopped at Kop van Zuid, where I earlier parked my car. I put my bicycle in the boot, got in the car and continued my way in the same direction.
About  A Scene #23: Acceleration

A Scene #22
On Saturday 23 May 2020 at 2:20 PM (CEST), I stood in the middle of the food market at Statenplein, Dordrecht, the Netherlands (5148.8870 N, 00440.1692 E).
I looked around until I recognised someone, and while I was looking at this person I grabbed my phone and called him to ask how things are. After a while, I made clear that I was within visual distance, stopped the conversation and raised my arm to say goodbye. I left the market.

A Scene #21
On Saturday, April 11 2020, from 2:00 till 2:30 PM (CEST) I was pacing up and down between the iron gate and the front door of the studio building Singel 222, Dordrecht (51.8085854, 4.6706976).
Please, keep your distance!

A Scene #20
On Tuesday, February 18, 2020 at 2:20 PM (CET) I was standing in the aisle of a flying Boeing 767-300 between the Netherlands and Iceland. With my eyes closed, my arms beside my body, I was for 15 minutes contemplating the enormity of the ocean below.

In memory of Antoinette Reuten.

A Scene #19: Doubts
On Saturday, January 18, 2020 at 2:20 PM (CEST) I was in the middle of a field at Ons Park, Feijenoordstraat, 3071 LN Rotterdam, (51 ° 54’53.5 “N 4 ° 29’50.4” E).
I considered the direction where I came from and I considered and reconsidered where to go from there.
When I made a decision, I left in the chosen direction.

A Scene #18
On Thursday October 24, 2019 at 10:00 (CEST) I was standing on the jetty at Fondamenta de le Zattere ai Gesuati, Venice, Italy (N45.42914814482034  W12.326794266700745), waiting for the first boat to bring me to the other side of the water: Giudecca Palanca (N45.42678386442304 W12.325501441955568). While waiting I was facing the jetty at the opposite side.
Once on the boat I was standing at starboard and I looked out over the waters in north-western direction.
When the boat moored at Giudecca Palanca I left the boat but I stayed on the jetty, waiting for the first boat to bring me back to Zattere. While waiting I was facing the jetty at the opposite side.
Back on the boat I was standing at starboard, looking out over the waters in south-eastern direction.
At Zattere I left the boat and walk away.

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De Nacht
Voorstraat 190, Dordrecht (NL)
September 14 – October 20, 2019

The performance De Nacht (The Night) is not an imagination of the night, it is the night itself. The group exhibition De Salon in Pictura was visited at midnight, in darkness. The exhibited art lost its stories, turned into silent dark objects, into silhouettes.

The front door was opened every Sunday night at exactly 24:00. Whoever was waiting outside was invited to come in. The door then closed again.
The exhibition was visited in silence.  Continue reading