Momon, July 2019
Every day I stroll around the village.
Approaching one specific location, I try to develop a headache.
When I pass the location and walk on, the pain will disappear.
I continue these daily walks, till the headache is fully conditioned and clearly connected to this specific location. Then I will start to unlearn it.
Mercado de Santa Clara, Lisbon (P)
June 18, 2019
Today I went to the flea market. I took the main street and strolled through it in a straight line. On my right side I picked up objects, turned them around, inspected them thoroughly, and put them back on the tables.
When I reached the end of the street, I turned around, emptied the pockets of my trousers and my jacket.
Then I put the things from my right pockets into my left pockets and from the left pockets into the right pockets.
I then strolled back the same way. Now on the other side, I picked up objects, turned them around, thoroughly inspected them and put them back on the tables.
When I arrived back at the starting point, I walked away.
The Fabric, stretched
Teatro do Silêncio
Rua Maria Brown, nº 7, 6G, Lisbon
June 19, 18:00 PM
A group of people leaves for a walk. One person (familiair with the area) takes the lead and decides which direction the group should go.
During the walk nobody speaks.
The participants gradually slow down and distance themselves more and more, but without losing sight at (at least) one of the others.
Eventually the group comes to a halt, the front person chooses when exactly that is. At that moment everyone records his or her exact geographical location.
After one or two minutes the group slowly starts moving again and returns to the starting point. but through a different route. The walking speed increases gradually and the distance between the participants becomes smaller and smaller, until, at the starting point, the group is back in its original position.
The recorded locations will be collected and marked on a collective map.
Hangar, center for artistic research
Rua Damasceno Monteiro, Lisbon (P)
June 28, 2019
The project Mnemonics started with a suggestion of curator Filipa Oliveira to the artists to meet each other, since their activities and points of view seemed to have many overlaps.
After a first meeting, they decided to work together and the cooperation started with an exercise:
Two car journeys on two consecutive days. The two events had to be as much alike as possible. They had to take place at the same time, on the same route and with the same conversations as accurately as possible.
This exercise led them to the subject of the construction and deconstruction of personal memory. How can memories lead to a journey and how can a journey lead to memories?
The human mind as a fluidly changing field of encounters.
The performative presentation of the project took place at Hangar on June 28, 2019
photo © Mnemonics
A Scene #17 – #1
On this website and on Facebook I announce small events that will take place at a certain location and at a certain moment in the near future.
Everybody is invited to be at the exact spot at the exact time to contribute to the scene with his/her own simultaneous activity (or inactivity).
A Scene #17: A Walking Lunch
On Saturday Juni 15, 2019 at 14:00 (WEST) I left my studio at Rua Damasceno de Monteiro (N 38 43 5.8 W 9 7 55.5) for a walking lunch towards Cais do Sodré (N 38 42 20.16 W 9 8 36.958).
I started with a glass of Moscatel do Douro, then, walking through the Jardim da Cerca da Graça, I had an Oeuf Mayonnaise. Going down the streets towards the river, I had a mixed salat with tomatoes, bacon, walnuts and grapes, a slice of bread and a glass of red Douro wine. As a desert I ate Flan de Ovo. When I finally approached Cais do Sodré I finished the lunch with a double espresso with sugar.
(with Elia Torrecilla)
Centro del Carme Cultura Contemporania, Valencia (E)
May 25, 2019
The Centre del Carme consists of two architectural constructions from very different eras. It concerns a Gothic passage and garden and a Renaissance passage and garden, connected by a single transfer room. In this performance, Elia Torrecilla and Frans van Lent looked for the numerical relationship between themselves as moving individuals and the architectural construction.
Within the passage in the Gothic part, the walk was guided by a series of loudly spoken numbers with the fixed proportions of the Golden Ratio. It was set up by a predefined formula and realized according to its logical consequences.
Within the Renaissance monastery the walk was improvised on the basis of simple geometric compositions, with the architectural structure as the leading framework. In this part the audience was asked to participate, resulting in a spacial cacophony of loudly spoken numbers.
the feet are tied to the ground, thoughts travel freely
On Tuesday, May 21, from 12:00 noon to 12:15 PM, I stood motionless and silent
in a field in the Jardim Botânico (N 38° 43′ 4.8” W 9° 8′ 52.9”) in Lisbon.
I faced North, my eyes closed.
At the same time Daniel Pinheiro stood motionless and silent
in a field in the Jardim Botânico (N 41° 9′ 6.905″ W 8° 38′ 36.193″) in Porto,
facing South, his eyes closed.
On Sunday 25 May I will, together with Elia Torrecilla, perform at Art D’, Cicle d’Art Acció.
Art D ‘Cicle d’Art Accio, is a bi-monthly cycle of international performance events. The program consists of live performances and lectures with room for theory, reflection and debate. Art D ‘is organized by a group of performance artists and researchers, in collaboration with the Centro del Carme Cultura Contemporánea.
Centro del Carme Cultura Contemporania, Museu 2, 46003 Valencia, Spain
A Scene #16
On Saturday May 18, 2019 at 14:00 (WEST) for 20 minutes I will be reading a newspaper in a queue at Ponto Inicial Trem 28, Rua Senhora Saúde 6B, Lisbon, Portugal (N38°42’54.1116” W9°8’12.048”). After 20 minutes I will fold the newspaper, leave the queue, and walk away in the direction of Rua da Graça.
About A Scene #15/16 and the work daqui até o rio and also about the project Het Binnenhuis (o Interio), a performative installation I presented in the Netherlands just before I left for Lisbon. Finally, I will show the short film of this project.
Download your free copy:
64 pages – 2 illustrations
Texts ©: Sjoerd Westbroek, Michiel Huijben and Frans van Lent
Editing and translation: Johanna Monk
Graphic advice: Theun Okkerse
TPSGF is a project of:
Frans van Lent / Unnoticed Art