Author Archives: Frans van Lent

La Biennale de Momon


Momon.fr

La Biennale de Momon originated from the village of Maumont in the southwest of France. Maumont, similar to many old villages, has changed significantly over the past few decades. While the site has retained the same physical structure, very little has remained of the original atmosphere: Residents disappeared and strangers took over the vacancies. Agriculture became gardening, physical labor became relaxation.

The original plan was for the artists to each reside and work in Maumont for a time, absorbing the atmosphere, history, and stories. We agreed that after our residencies we would leave the village without a trace and that the project would be presented online only.

The pandemic has radically changed the project. Most participants only know the village from photos and video. The physical reality that had triggered the project, now plays a different role. The pandemic also changed the project conceptually, as it pushed us even more from the physical towards the virtual. Not so much experiencing this as a limitation, we accepted this as a natural event which inevitably influences our choices. Looking at what was still there, we imagined how this could lead us to something beautiful. We created a new colony in the virtual world, not based on the village of Maumont, but based on an imaginary Momon.
The domain momon.fr has became our new location, a new base, the new original.

La Biennale de Momon, initiated by Frans van Lent, was composed by nine artists: Sarah Boulton, Marc Buchy, Joan Heemskerk, Frans van Lent, Susana Mendes Silva, Josh Schwebel, Lisa Skuret, Elia Torrecilla and Martine Viale.
What these artists have in common is a focus on the processes of change rather than on its material deposits. DesignerMaya Rettelbach has gathered the artists’ work together on neutral terrain, in a place outside the village, in a virtual garden.

The website Momon.fr is created by Maya Rettelbach.

La Biennale de Momon
Free Public event:
Saturday February 13
5 p.m. (UTC+1)
Zoom: https://us02web.zoom.us/j/85943152439

Momon.fr

La Biennale de Momon originated from the village of Maumont in the southwest of France. Maumont, similar to many old villages, has changed significantly over the past few decades. While the site has retained the same physical structure, very little has remained of the original atmosphere: Residents disappeared and strangers took over the vacancies. Agriculture became gardening, physical labor became relaxation.

The original plan was for the artists to each reside and work in Maumont for a time, absorbing the atmosphere, history, and stories. We agreed that after our residencies we would leave the village without a trace and that the project would be presented online only.

The pandemic has radically changed the project. Most participants only know the village from photos and video. The physical reality that had triggered the project, now plays a different role. The pandemic also changed the project conceptually, as it pushed us even more from the physical towards the virtual. Not so much experiencing this as a limitation, we accepted this as a natural event which inevitably influences our choices. Looking at what was still there, we imagined how this could lead us to something beautiful. We created a new colony in the virtual world, not based on the village of Maumont, but based on an imaginary Momon.
The domain momon.fr has became our new location, a new base, the new original.

La Biennale de Momon, initiated by Frans van Lent, was composed by nine artists: Sarah Boulton, Marc Buchy, Joan Heemskerk, Frans van Lent, Susana Mendes Silva, Josh Schwebel, Lisa Skuret, Elia Torrecilla and Martine Viale.
What these artists have in common is a focus on the processes of change rather than on its material deposits. DesignerMaya Rettelbach has gathered the artists’ work together on neutral terrain, in a place outside the village, in a virtual garden.

The website Momon.fr is created by Maya Rettelbach.

Leave

During a walk, I focussed on leaving places.

I avoided experiencing my movements as arriving at a place.

 

A Scene #28: a parallel improvisation
in collaboration with Henk Overdevest

In the afternoon of Saturday January 9, H and I will drive through the city of Rotterdam. H drives his car in the north of Rotterdam while I drive my car in the south of Rotterdam. At exactly 2:20 pm I call H on the hands-free phone. During our call, we will both say aloud the names of the streets in which we drive. The conversation lasts 15 minutes and is recorded. Later the mentioned streets on both sides of the river are connected in a drawing on the map of Rotterdam.

Camera

for an hour
I walked with my camera
its size is 10 x 14 x 15 cm
its weight is 1.021 gr
I carried it in my hand.

Shared darkness

In collaboration with Manuela Macco

15 minutes
We are standing
motionless
at different locations
in shared darkness.

Biella, IT. – Dordrecht, NL.

After two try-outs (1 December, 4 January),
we carry out the work every first night of six consecutive months,
from 12:00 a.m. till 12:15 a.m. (USC+1), starting March 1, 2021.

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222lodge presents
The Festival of the Smallest
21 October 2020 ~

A month before we published this Open Call:
We are looking for the smallest, the quietest, the least, the narrowest, the slowest, the lightest, the shortest and the thinnest. If your work is barely perceptible by eye, by ear, by mind, yet unmistakably present, then we want to show it somehow.
We don’t want to predefine a format. It can be part of an exhibition, an evening or a magazine. It depends what you come up with …
Due to the revival of the pandemic, we present this festival online only.

Participating artists:
Trevor Byrne, Clare Charnly, Maud Faassen, Tamara Jungnickel, Ienke Kastelein, Joshua Legallienne, Frans van Lent, Manuela Macco, MishMash, Nico Parlevliet, Patrick Quinn, ronnie s, Patrick Stefanak, Society of Smallness, Adriana Valls, Frans Verschoor, Wilma Vissers, Christine Wassermann, Ed Woodham.

222lodge
lodge@singel222.nl
Singel 222
3311 KV Dordrecht
Netherlands

The photo in this post is a cropped and edited still from the film
Powers of Ten (1977) by the office of Charles and Ray Eames for IBM.