Heute Morgen is a performative work, carried out on July 1st 2014, in the Kutscherhaus in Recklinghausen, Germany. During the process all visual decisions were made and then again undone. Nothing of the work is left to be shown in the exhibition, except the video documentation of the process.

Heute Morgen was part of the Via Via show,
July 4 – August 17, 2014.

performance (3 men):

In an old uninhabited vergers house in Dordrecht:
25 jerrycans are stored on the attic, each filled with 10 litres of water.
One by one, they are carried down. Halfway the top stairs they are poured into other, empty jerrycans. The then filled jerrycans are carried one floor lower. Halfway the second stairs they are again poured into empty jerrycans. The now filled jerrycans are carried to the groundfloor.
When all 25 jerrycans arrived at the groundfloor they are one by one emptied on the pavement in front of the house.

Cascade was part of By the sweat of your brow,
an exhibition within the framework of the Urban Explorers Festival 2014

Photo: Jaap Dambruin

In the morning I walk an improvised route through the city,
in the afternoon I walk exactly the same route again.

-Unnoticed Art Festival
Haarlem, Netherlands
May 17/18, 2014

I stand in front of a white wall.

I take a small round mirror out of my pocket, put some glue on the back and press the mirror against the wall.
I get very close to the mirror and by breathing in and out a few times, I cover it with damp.
I stand up again and wait until all the moisture is gone.

I remove the mirror and put it back in my pocket.

-BuroRotterdam
(expo. EX-MÊKH).
January 26, 2014
-Reuten & Reuten Gallery, Amsterdam
May 17, 2015

In the morning I am standing for 30 minutes in front of a Dutch painting, Het Gein, by Willem Roelofs (1883),
imagining myself part of that landscape.

In the afternoon I am standing for 30 minutes in a field in the polder De Biesbosch,
with my eyes closed, imagining the space around me.

-Dordrechts Museum and Biesbosch, Dordrecht, Netherlands.
December 18, 2013.

(7-8 minutes)

I am standing barefoot, a glass of water in my right hand.
I wait for silence around me.
I then bow forward very slowly and spill some water. After a few drops I move back a bit.
The bowing and moving back is repeated until the glass is empty.
I return in an upright position.

–Kapitaal Utrecht (A night at the Gym), Netherlands
June 27, 2013 (try-out)
-Gezipark (photo © Hiroomi Horiuchi), Istanbul, Turkey
September 13, 2013
-Kunstrand, Dordrecht, Netherlands
October 5, 2013

2nd version: Spill (2021)

I walk into the gallery. On the floor are three big canvases leaning against the wall (frontside turned to the wall), each one about 130 x 140 cms. They are covered with plastic to protect them. You can’t really look clearly through the plastic. Taped on the works is a piece of paper with the written text: ‘Please don’t touch! I’ll come and fix it as soon as possible’.

I measure exactly where to hang the paintings, then drill holes for each of them, put screws in the holes and hang the works carefully on the wall. After I hanged the last one, I clean the floor in front of the works. Then I take off the works in the same order, put them against the wall, take out the screws, the plugs, fill the holes with plaster, paint the spots white again, clean the floor, take my equipment and leave the gallery.
This performance is repeated a number of times at unannounced moments during the exhibition
Let’s Get Physical,
presentation of MaHKU at Kapitaal, Utrecht, Netherlands.
June 2013
The work was redone in Quartair Contemporary Art Initiatives, DenHaag (NL) in 2019.

Group action
Participants:   Hiroomi Horiuchi (6), Sebastian Gonzalez de Gortari (5), Eduarda Estrella (4), Sobia Zaidi (3), Liza May Post (2), Frans van Lent (1).

A. Starting in the hall of the train-station we slowly walked in a line to a department store in the shopping mall. Everyone was following the person in front of him/her at a distance and as discreet as possible. Nr.1 was first in line, nr.6 was last in line.
B. When we walked into the shop we went up two floors by escalator.
C. We walked around, still in line, picked up some things from the tables (randomly), studied these objects at all sides and then put them back on the table.
Everyone was imitating the person in front of him/her as precisely as possible. Doing this we related as a (widely spread) group by synchronising our movements.
D. After five minutes nr. 1 slowly walked back to the elevators and returned to the ground floor. One by one the others followed. Nr 1 walked out of the door and waited there for the others.
E. When everybody was outside the performance was over.

Utrecht
April 25 2013